What exactly does ‘queer’ mean?

It used to be that people who described themselves as queer were simply gay, lesbian or bisexual. Some rejected the idea of reclaiming the slur on principle while others believed it was an effective way to change the meaning and thus the power of the word. Now fewer and fewer people are referring to themselves as gay, lesbian or even bi. Most just say they’re queer. Why is this the case, and whom does it serve?

‘Queer’ ultimately means whatever the person using the word means – and that’s the point. Referring to oneself as queer is a deliberate, often well-meaning attempt to signal one’s inclusivity. If you do say you’re gay or lesbian and insist that means you’re same-sex attracted, trans activists will call you a bigot (Don’t believe me? Scroll down to the bottom). Better not open that can of worms and make someone feel invalidated. One big happy rainbow family.

Queer is a word that describes sexual and gender identities other than straight and cisgender.

Planned Parenthood

Notice ultra-woke Planned Parenthood uses the word straight instead of heterosexual; this framing avoids associating biological sex with sexual orientation so it’s accommodating to gender identity.

The Unitarian Universalist Association, however, presents a much more expansive definition:

Although this definition is less widely known, many so-called queer people identify with the fourth definition. For them, it isn’t about sexual orientation or even gender identity necessarily, but the simple act of kicking against sexual norms. As a radical feminist, I believe some norms should be smashed, including gender, but not for the sake of it. That’s just nihilistic teenage rebellion. In Sexual Politics, Kate Millett demonstrated that rather than happening in a social vacuum, social shifts happen in the context of pre-existing power dynamics. In a patriarchy, the sexual revolution of the 1960s inevitably found a way to exploit women while claiming to liberate them. A modern iteration would be SlutWalks which, conveniently for straight and bi men, give them exactly what they want.

I don’t care if men wear makeup, carry purses, wear their hair long or don’t know how to change a tire. Gender critical people often say they don’t mind men in dresses. Yeah, well radical feminists do, and not because the cocks in frocks are performing femininity. Now, one might think feminists would appreciate men adopting the feminine gender role. The first problem arises when men leverage gender identity to claim that doing so makes them women. The second is what femininity means to them. Men no longer perform femininity while acknowledging they’re men like they once did in the goth, glam, and hair metal scenes. Thanks to porn, more men than ever are internalizing the fetishization of the female body, transposing themselves as the female object of desire. As sexual submission is indelibly linked to femininity, these men get a charge out of pretending they’re a member of the subordinate sex, frequently identifying as masochistic “sissies”. This is evidenced by the explosion of sissy hyno porn and forced feminization. These men are otherwise known as auto-gynephiles. Men like the Oakville high school teacher with gigantic prosthetic breasts and protruding nipples, a dude who calls himself Rosemary Times and exposes himself in public and women’s spaces (NSFW), darling of professional gender critical feminists Debbie Hayton, and, as radical feminists have suspected all along, Lia Thomas. The list of AGPs is endless.

Once you see these things, you can’t unsee them and it becomes clear why cross-dressing in this context is neither innocent nor a human right. Men don’t have to worry about trans-identified females creeping into their washrooms, locker rooms, and changerooms to perv on or film them, film themselves while committing lude acts, or assaulting them. Women simply don’t tend to have that compulsion and even if they did, they could easily be overpowered by men. Trans activists always accuse “TERFs” of being prejudiced against trans people when in fact the issue is the ever-present reality of male violence and, that threat aside, the right of both females and males to privacy.

Because queer theory fundamentally values transgression, there have always been people – men, largely – with “marginalized” sexual interests within LGBT culture, notably becoming more visible in the 1970s with drag, transvestism, and transsexualism. As such, the LGBT/queer trajectory has been and remains controlled by men, initially with gay men and now, increasingly, straight trans-identified men. It was largely gay male culture, which can be quite misogynistic, that embraced practices like BDSM, leather families, porn, prostitution, etc. Some lesbians did as well, but to a much lesser extent and it wasn’t a feature of the culture of women-identified-women. In other words, these practices aren’t inherent to homosexuality or bisexuality. What does someone who likes to flog or be flogged, choke or be choked, or have multiple partners have in common with any random homosexual?

After the AIDS crisis and the recognition of same-sex marriage, LGBT advocacy increasingly shifted from sexual orientation to sexual identity. This allowed the kink community to gain a stronger foothold. Bottom feeders like pedophiles saw the opportunity to stake their claim, convincing some prominent queer activists to begin referring to them as “minor attracted persons” or MAPs. Michel Foucault, a founder of queer theory, has been accused of raping children and was at the very least a child sexual abuse apologist. Since Foucault and John Money, numerous prominent queer/trans activists have tried to destigmatize pedophilia and normalize the idea of child sexuality, that children are sexual beings, including Peter Tatchell and Jacob Breslow. Alok Vaid-Menon, posting from his Blackmatter Facebook account, once referred to girls as kinky and deviant. A queer Pre-K teacher in California published a post on social media questioning childhood innocence.

Bearing all of this in mind, it doesn’t take an evangelical Christian to question the appropriateness of bringing children to drag shows, which until very recently have been understood even by liberals as adult entertainment. That male drag performers are grotesque sexist caricatures of femaleness should be considered damaging to children, especially girls. We now have several instances on camera of men performing as scantily-clad female strippers interacting with children, taking their money or encouraging them to stuff cash into their g-strings. Even when performers are conscious of what’s appropriate, somehow some parents aren’t. These videos are real. The political persuasion of those sharing them is irrelevant. Those who believe Drag Queen Story Hour is innocuous might be surprised by what some LGB people have to say about the messages children are really getting from these events, including stories that encourage them to believe they may be born in the wrong body, can become the opposite sex, and should change their gender to fit their personalities.

The question isn’t whether LGBT people are perverts or predators. The question is, why do organizations like the Pedophile Information Exchange and the people who associate or sympathize with them always glom onto queer politics? Because the queer community and queer advocacy are usually male-led and unfortunately, male sexuality can be very problematic. Combine that with a movement whose ethos is rainbows and love on the surface and transgressive sexuality de rigueur underneath, and ‘queer’ can either be something beautiful or something monstrous.

Objectification is not liberation

Note: Title and content have been edited. Please see bottom of post for details.

Beyoncé has just released an album that is blowing up the charts and shattering digital sales records. Some people are calling it brilliant and groundbreaking. In an article for the New Statesman, Laurie Penny gives the singer a big bravo for projecting an image that she believes means good things for girls and women everywhere. But there’s something very problematic going on in the contemporary feminist movement, a variety of pseudo-feminism that casts the likes of Miley Cyrus and Beyoncé Knowles as champions of female empowerment in a way that prevents any discussion of the ethics surrounding the equating of objectification with liberation.

Penny incisively explains here that while not all men hate women, they all benefit from sexism by virtue of enjoying the privileges of being a man. Unfortunately, she stops short. Penny adopts choice feminism as a platform to defend Miley Cyrus’s antics without addressing the racist fetishism with which she oppresses women of colour. Nor does she feel that Cyrus is transmitting a damaging message to millions of young women. On the contrary, she insists that female celebrities flaunting their sexuality empowers girls to feel that they can do whatever they want without being judged for it, and that anything that might challenge this entitlement amounts to slut shaming. Does a super famous, hyper-sexualized pop starlet give girls the wrong idea about what it means to be a responsible, conscious and self-fulfilled woman in this society? We’re not allowed to talk about that, apparently.

Whereas Western women tend to believe that the burqa and even the hijab are tools of oppression, choice feminism sends the pendulum swinging to the other extreme. When Lorde criticized Selena Gomez’s song ‘Come and Get It’ as bearing an inappropriate and unhealthy message for young girls, Gomez retorted that Lorde’s comment was anti-feminist because she was “not supporting other women”. The individualistic posturing of choice feminism turns the concept of solidarity on its head by taking for granted that everything that women do is okay, especially if we’re (presumably) doing it of our own volition, and we should never hold each other to account – even if that means trying to protect young women whose most direct experience of patriarchy is the objectification of their bodies. Writer Meghan Murphy nails it when she asks, “Since when is nonjudgmental the descriptor of a movement based on achieving collective freedom from oppression and exploitation? What if the choices being made perpetuate patriarchal ideas?”

It’s totally counterintuitive that having Miley’s T&A constantly thrust in their faces should make young women feel better about themselves. This actually has the effect of encouraging youth to idolize celebrities and thus strive to be like them – thin, famous, rich, brash – rather than to be happy just being themselves.

Miley isn’t the only celebrity whose behaviour stirs controversy. What’s really interesting, though, is how some female celebrities manage to shamelessly flaunt their extravagant wealth, supersized egos, and pornstar bodies, all while escaping scrutiny. Public opinion suggests that while Rihanna is trashy, Beyoncé is sexy but classy. That image is undermined by her newest set of videos. Partition, for example, has her writhing around, spreading her legs and bucking her hips in what can only be described as an exotic (I hate this term) dance performance. I anticipate some people countering that she’s older (and therefore more self-possessed than Miley) and may have a slightly older fan base but here’s the dead giveaway: if there’s any doubt about who holds the power as far as this song is concerned, consider the lyrics.

“I just wanna be the girl you like, the kinda girl you like.”

– Beyoncé in ‘Partition’

In this video, Beyoncé isn’t asking us to respect her or even to recognize her talent and intelligence. All she’s saying, in words and images, is: Desire me. Fuck me.

Since when did turning our oppressors’ tools against ourselves become a strategy for liberation? I don’t see this as being the same as say, homosexuals reclaiming the word ‘queer’. This has the effect of draining the term of its power to degrade and ostrasize by acknowledging that while homosexuals may be different in the sense that they haven’t been considered traditionally mainstream, there’s nothing wrong with that. This directly counters the notion that there’s something deviant or immoral about them by applying a truly positive interpretation. But when women like Beyoncé become sexual objects, which in this context are essentially commodities or products to be consumed, they’re not in any way challenging the idea that they’re sexual objects. Nor do they explain how pimping themselves out negates the pimping.

Slut shaming isn’t cool. I should be able to walk around wearing what makes me feel comfortable and happy without worrying that I’ll be judged and devalued. I should be able to sleep with who I want to, and with as many people as I want to, without being subjected to double standards that would see men admired for the same behaviour. All I’m suggesting is that we approach this with balanced thinking. We’re not just talking about a woman who simply happens to be beautiful and is wearing clothing and dancing in a way that accentuates her beauty. Sexiness is not the issue. What is the issue is that imagery and behaviour approaching pornography is ubiquitous in our culture and never seems to be expressed via male bodies. So the question comes back to this: is this really appropriate? Nicki Minaj, Ke$ha, Britney Spears – when they air their crotches out in public, they’re not doing it for our liberation. And when boys and men see this, they couldn’t care less what philosophies might be underpinning it. They’re getting exactly what their male privilege tells them they are entitled to, and they further rationalize that entitlement based on the fact that women are more than happy to oblige that fantasy.

In another new video for the song ‘Superpower’, Beyoncé struts in a pair of spiky heels wearing a headscarf and a khaki-coloured miniskirt while her breasts peek out from underneath her halter top. The video depicts her catwalking with her posse through riot scenes, which include cop cars ablaze. Perfect hair. Perfect makeup. Perfect nails. So Beyoncé fancies herself a human rights activist now, huh? Did she conjure this vision up from her gated mansion while bathing in a vat of liquid gold? Give me a fucking break. Are we really going to pretend that there’s nothing wrong with one of the most powerful (as perception would have it) women in the world perpetuating this culture of narcissism and money worship, by exploiting, no less, the struggles that she has never cared to voice support for despite her influence as an international celebrity? In case anyone needs reminding about what this luxury-loving diva was doing in NYC during the Occupy Wall Street protests (which her hubby slammed but used anyway to make a buck), she was out shopping. I can’t bring myself to look up to a member of the privileged, wealthy 1% who capitalizes off the 99%’s fight for a fair economy. I don’t care what her gender, religion or skin colour is.

My formative years coincided with the Riot Grrrl movement. I listened to L7, Lunachicks, The Cranberries, 7 Year Bitch, Sleater-Kinney, Tori Amos, even Hole. I didn’t admire the divas, the models or the pretty pop stars. I liked the gritty, unapologetic realness of women whose defiance was neither manufactured nor forced. It was the smeared lipstick, the pride in embracing one’s imperfections, and the unmitigated gall of staking out territory in a predominantly male genre that encouraged and empowered me. That was about 20 years ago. These days, I wonder if we’ve been beaten into submission by the corporate patriarchy such that we’ve so deeply internalized its methods that we don’t even realize we’re doing it to ourselves.

Self-determination and individualism are not the same thing. Feminism should be, and will only succeed, as a collective struggle for the eradication of male privilege and gender bondage. Anything less is just another obstacle.

***

Post edited: This post was originally entitled, ‘Beyoncé is no Ani DiFranco’. I’ve removed anything that makes mention of Ani DiFranco in order to stop the issue I’ve chosen to discuss here from being co-opted by an entirely unrelated, albeit important, issue. If you’re unfamiliar with Ani DiFranco, she’s an American indie folk artist whose career has spanned decades and who has gained a huge cult following for her prolific music and strong support for the rights of immigrants, people of colour, women, the LGBT community, etc., both in her music and in the work that she does in the community. Shortly after publishing this post, I learned that Ani had become the subject of criticism due to a recent announcement that she would be hosting a music and writing retreat on Nottoway Plantation along with several other artists. It’s perfectly understandable that many people have taken issue with the fact that a white artist who has until now been celebrated as a feminist and anti-racist failed to appreciate that holding an event on a former slave plantation could be considered not only as incredibly insensitive, but also as further validation of the claim that mainstream feminism excludes women of colour. While I recognize that this is a complex issue that will elicit a variety of opinions, it is unfortunate that for whatever reason, neither Ani nor her record label, Righteous Babe Records, have addressed these concerns (as of December 28th). The ethical and appropriate thing to do at this time – at the very least – would be to issue a formal apology and explanation. I’ve expressed this view to both parties. Now, with regard to this post, it did not focus on Ani; I had quoted her twice and gave a brief synopsis of her career. The purpose of bringing her up was to contrast the school of feminist thought that is critical of objectification as a tool of patriarchy (as expressed by Ani) with the premise of choice feminism that supporters of female pop stars use to defend them. Although the content involving Ani, notwithstanding the controversy, would still support my argument above, it has become clear that the mere mention of her is being interpreted as an invitation to go off on a tangent. The comments were beginning to devolve into insinuations that Ani DiFranco is a racist, which at any rate is irrelevant to the topic of choice feminism. Strangely, the controversy over the retreat was also somehow being leveraged to discredit my analysis of choice feminism generally and Beyoncé specifically. Again, totally off the mark, and not fair. Therefore, I decided to remove mention of Ani and did not approve some comments that discussed the retreat. As always, reasonable and relevant discussions are welcome. I may address the issue regarding the retreat in a future post. [Update: I’ve delved into the issue here]